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This article was written by Michael Proctor for the website IDMW. As part of our monthly updates we hope to add further articles from Mr Procter for our Tribute site, giving us a new twist and a breath of fresh air for our day to day grinds..
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House Calls: WRITE ME A SONG !
Posted on September 30 @ 00:07:37 CEST by michael procter |
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I listen to a lot of music… especially
house music. I probably listen to a lot more house music then I listen to my own,
and I do listen to mine… A lot and you know what ? I always find a critique,
especially after the song has been put out. Even though I had heard it a million times
before it was released. I had listened to it from the first concept to the story form.
Through the process of deciding which of your experiences you will finally decide
to build around. The journey through the mountains of melodies that you have to experience
to see if it really fits the mood of the story… |
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What is
the first note ? How can I say baby so that it sounds like I'm starting a conversation
with someone that I love as opposed to a stranger ? How do you say that and start
the building of the house you are about to build ? How many times do you sing it before
you think that you have found the right feel ? You have to live it, you have to go
inside the song and become the person that you are trying to express. Or maybe you
just have to go inside yourself to find out more about yourself than you really knew.
To reach inside yourself and tell a story about an experience that changed your life.
Maybe you never allowed yourself to even think about what it felt like until now.
The pain, the joy, the estacy, the anger, the hurt, the love, the depression, the
truth… Note by note, you pull the notes from God's notebook. He gives it freely but
you have to be able to read.
You have to be able to go into the many experiences that God
allows you to have just so that you can learn how to love and try to find a level
of honesty in yourself. Can you tell the truth about it ? Can you expose what you
have been holding inside your heart, afraid to express it or let it be known ? Afraid
of what someone will think about you or how you will be betrayed ? More widely, do
you want someone to know that much about you ? That's what writers go through on a
daily basis. In the song is the writer's life experiences. Even if it was a story
told to them from someone else's life experience, it becomes the writer's after having
the experience to hear it. And you can allow yourself to become empathetic. When you
feel what they feel. Even if that person was totally and completely wrong in what
they may have done, can you feel what it's like to be wrong and not be able to be
humble enough to admit it ?
How do you write about that ? Then maybe if they were right,
totally and completely right, do you know what that really feels like ? To be absolutely
positive that you were right ? You woke up this morning and it was the most beautiful
sky that you have ever seen, maybe just the right amount of soft pillowy clouds in
the sky, just enough to make it feel completely comfortable, warm and embracing. Did
you ever have that feeling that you could just float right into the clouds and lay
there and think about the next verse's melody ? Where does the energy come from in
a lyric or a track for that matter ? How do you find the chord changes for the pad
? You play a lot of chords, you do a lot of listening. Because when it's right, it
will sing to you if you listen. Most of time when creating a song or expressing a
song, you do a million time more listening than you do talking. You listen inside
yourself. Because that story is being reopened in your mind and you are listening
for the emotion, for the bell to ring, for that little voice to say ok "that's it".
The funny thing is even after we have decided, we still continue to listen, maybe
there was a better way, a different chord that may have worked better, a different
harmony that the vocals could have sang just a little bit differently. The way the
lead vocal could have attacked that word just a little harder or with another twist,
jazz maybe or just a bit more of a gospel turn… maybe it doesn't sound electronic
enough or maybe it sounds to much electronic. Do you really like that bass line, even
if everyone else seems to be in love with it ? Should you have used the bassline that
you initially felt was the perfect match ? Do a remix ?
They call it an art, the art of songwriting or writing period. Every
writer is different, but the process is the same. Labels want a record in a week,
producers want to sit down with a ready made track and merge experiences. Even if
you have no joint experiences, you have to listen, listen to their experience in creating
the track. Sometimes you may find that there is nothing for you to say to that track,
to that music, to that arrangement. Maybe someone else can relate to this musical
experience more than you. You put it down or turn it off sure that there is nothing
for you to say but then again, maybe you can listen to find those places where something
needs to be said and not just played… right there where the guitar melody falls off
and the chord pad is just laying there like a lover waiting to be held.
Maybe there
is a place right here that needs to be touched , carressed, blessed with just the
right word or the right lyric. Or maybe one day you experienced the miracle called
waking up, and your contiousness was made to awake and you knew at that moment that
for you there was a God. And God loved you no matter what. What joy to know that you
are not alone and that you are loved unconditionally. How do you tell someone about
this and bless them with the experience even if they can't speak your language ? Sometimes
writing a song is like being in a difficult relationship, you keep looking for what
brought you together in the first place because you seem so different in nature and
temperment. Are you here just trying to please or can you really make a difference
or is the difference already made and you just stayed to long ? And maybe it would
be better to just let it go and start over. Then one day as you're going through
your lyric book, here she is again like a day in a diary that snatches you by the
soul and pulls you back to that night, that touch, that first climax. And you forget
that you didn't get along the first time but the passion has always been there, so
you try to make it work again.
Because you can't forget the ecstacy, you can't get her touch
out of your mind or out of the memory of your skin. And then, maybe it was like the
first time that you saw her , you knew that she would know exactly what you were trying
to say even if you didn't finish the line. And maybe like soulmates your touch felt
the same to her as hers felt to you. And she trusted you right from the first touch
and you trusted her completely. And it just fit so perfectly ! Like she was made for
you and she says that she was and you for her. When making love feels so good that
you don't want to take it out, and she holds you tightly so you won't. They say songwriting
is an art and I have to agree : the art of life ! Living it, experiencing it, telling
it…
Take your time ! Where are you going so fast ? Only to
the next story.
Michael Procter |
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